While this is not the best song in B. Smyth’s discography, it’s not an altogether awful one either.  Definitely meant for the strip or dance club, this track features a Lex Luger styled beat and repetitive hand claps, and a Chris Brown styled vocal delivery.  Light on lyrics and even lighter on substance, this something that I should hate; but there is something about it that makes it interesting background noise.  You won’t get many listens out of it, but the ones you do will be enjoyable.